A story that starts with a scene at The British Museum, one of my favourite places to visit, was always likely to be a hit with me, and this is a beautifully written middle grade adventure from one of the best current authors of children’s historical fiction. Set in 1948, it provides children with an insight into the post-war period of hardship and rationing, within the context of a gripping page-turner.
When Ruth Goodspeed and her mother, Harriett, embark on an archaeological investigation at a remote farm set in the bleak landscape of The Fens, little do they realise that they will not just be scraping away layers of earth covering ancient artefacts; family and personal secrets and mysteries will also be laid bare. Mirroring the meticulously patient art of the archaeologists, the author slowly brushes away at the surface of her characters, gradually revealing the emotions, anxieties and pain buried deep within. The characters that emerge are so believable, with flaws and mis-steps combined with good intentions that you just can’t help rooting for them.
A.M. Howell’s writing style is wonderful in its ability to lure you in and propel you through the story. You rapidly lose yourself in the mystery, making it very difficult to put the book down or cease to think about the characters and their plight even when you have to break away and return to everyday reality! She conjures the flat, mist covered, dank, ditch drilled Fen landscape with its sudden explosions of birdlife magnificently. I love the image of this landscape providing farseeing horizontal viewpoints for those who wish to spy on their neighbours as well as a vertical view down to our history, buried and preserved in the damp earth. The comparisons between life in the bombed out ruins of cities such as London and Norwich and the hardships of rural life during and immediately after the Second World War are sympathetically portrayed through Ruth’s reflections on her experiences and the tales that she hears from farmer’s son Joe. The realisation that similarities can be found in what initially appear to be drastically different circumstances are thoughtfully uncovered, increasing that empathy that children can develop through reading great literature.
The story is perfectly pitched to entertain a middle-grade readership of 9+, featuring a race against time to uncover buried treasure, save a family’s livelihood and home, and unravel hidden mysteries. The evolving friendship between Ruth and Joe after a resentful beginning is developed believably and the mutual support between two children adapting to different family circumstances is portrayed with great positivity. I can also imagine this book being a valuable addition to primary school classrooms with its factually-based portrayal of the post WWII years, the actual hiding away of national treasures from the great museums during the War, as well as the way that ancient historical finds are handled and investigated to shed light on our past. At the end of the story the author provides factual details on some of the real treasure hoards that provided inspiration for this book. I understand that publishers Usborne will be providing additional online resources to accompany publication of this book.
I am most grateful to Usborne and NetGalley for allowing me access to an electronic copy of The Secrets of the Treasure Keepers in advance of publication.
If you want to read more of A.M. Howell’s magnificent MG Historical Fiction, I highly recommend The House of One Hundred Clocks