This is a weekly meme started and hosted by @marysimms72 on her brilliant Book Craic blog which I urge you to read. Also, please check out all the other posts and Tweets with the #MGTakesOnThursday tag, you will be sure to find many fantastic recommendations!
If you love books written for an MG audience and wish to take part, the steps to follow are:
- Post a picture of a front cover of a middle-grade book which you have read and would recommend to others with details of the author, illustrator and publisher.
- Open the book to page 11 and share your favourite sentence.
- Write three words to describe the book
- Either share why you would recommend this book, or link to your review.
Author: Nicola Penfold
Illustrator: Kate Forrester
Publisher: Little Tiger Press
Favourite sentence from Page 11:
“It predates not only the floods and the Hunger Years, but the Decline, and even the Greedy Years before that. It’s from when the land was still healthy enough to farm, before the poisons and the saltwater got in.”
This book in three words: Environment – Family – Metamorphosis
This is an incredibly beautiful and powerful story set in a near future coastal community on the east coast of England. The extract that I have quoted from page 11, locates the reader in the space with great economy, as it describes Crier’s Windmill which will become a pivotal location in the story. As the book opens, you join Nat and his two best friends Tally and Lucas as they set off on their bicycles for summer holiday pranks and dares amongst the sterile landscape of the solar fields and Edible Uplands factory farm. It cleverly positions young readers in a recognisable activity before the clues about this dystopian future lead to the realisation of how society could be changed following ecological disaster.
Meanwhile, sisters Pearl and Clover, live with their father and their collective grief on an oyster farm; a ramshackle structure of narrowboats and the remnants of an offshore oil rig, held together as precariously as their family, with bindings that require constant re-knotting to stop the construction coming apart. We quickly learn that siblings are not allowed in the district of Blackwater Bay, where the feared Peacekeepers remove illegal second children, issue civil disobedience points and regularly send unlucky trespassers to the prison ship which is anchored further out in the bay. A visible reminder to all that resisting the state rule will be punished.
The two existences come together when Nat’s mum, Sora, a senior scientist, is sent by the District Controller to study the farming methods pioneered on the Oyster Farm to try to enhance food production for the district. When the “landlubbers” relocate to the feared world of the water, Nat brings some uninvited guests – jars of caterpillars that he has collected from the wild thistles in the solar fields. This act of rebellion (all pollinators are claimed by Central District) sets a metamorphosis in motion that will affect more than just the lepidoptera.
Nicola Penfold has written an exquisite story which brilliantly captures some of the pressing concerns of our age, she has crafted memorable characters and a plot that simmers with tension and edginess as the storm brews in the background. Her love of the natural world shines through the narrative which is peppered with a feast of Easter eggs in the form of the names of both human and non-human characters. She acknowledges the fact that children show far more awareness and concern about the environment and the plight of migrants than many adults; this is perfectly encapsulated by Pearl:
“You’re missing all of it because you’re not bothering to look! None of you are!”
I am sure that this book will prove to be extremely popular with upper Key Stage 2 and Key Stage 3 children, I can imagine it becoming a favourite whole class read, perhaps to accompany topics on global warming or food production. It is also a book that many adults would benefit from reading; a perfectly assembled plot with a thoughtful and valuable message. I loved it.
I am very grateful to Little Tiger Press and NetGalley for allowing me early access to an electronic version of this book which will be published on 8th July 2021.