
02 January 2025, ISBN: 978-1788453486
Let the Light In is a gritty, realistic story of a family’s struggle with grief and survival, written with an immediacy and beauty that I found compelling.
The authors are mother and son partnership, Jenny Downham, and Louis Hill. Jenny has previously written several award winning and highly acclaimed Young Adult novels, and I believe that this book was written with her actor and playwright son Louis, during the Covid lockdown. The story deals with a range of difficult issues in a dual narrative structure, alternating short chapters told through the voices of teenage brother and sister, Charlie and Leah.
The voices of these (and the supporting characters) are utterly authentic both in tone and in teenage language and I found myself drawn into their lives so completely that I found it hard to put this book down when work or chores called me away from it. The two main protagonists along with their younger sister Abby and their mother are dealing with the aftermath of their father’s death from cancer three years previously. Their reactions to this immense loss are very different and are revealed and the consequences explored in a wonderfully crafted plot.
Leah who is now 17 has taken on the caring role for her family. She is the one who manages the tiny budget now that they are living on benefits; she organises the rota for collecting Abby from school; she plans the meals; does most of the cooking and the household chores; all this whilst also trying to study for A-levels to reach her ultimate goal of a place at at Edinburgh University. Feeling trapped by the thought that she might not be able to leave her family to fend for themselves, she has found release in a secret affair with Alex, the married owner of a local art gallery.
Meanwhile Charlie has lost all confidence and lives in a state of constant anxiety and loneliness having isolated himself from his childhood friends. His only release is through his art, at which he is exceptionally gifted. He keeps a secret sketchbook into which all of his pain and anguish at watching his Dad’s death are captured in a series of pencil portraits. He dearly loves his younger sister and can always be relied on to look after Abby, but we feel immense sadness for him at his complete inability to follow simple cooking instructions and produce an edible meal from the meagre ingredients available when it is his turn to cook. Wishing to contribute more to his family, and to feel confident in front of his former friends, he falls victim to a loan shark operating on the estate.
Their mother has clearly been totally devastated at the death of her husband and has sunk into deep depression, finding it hard to leave her bed most days. Her narrative is dealth with compassionately as we see her children’s frustration that she cannot support them alongside their constant efforts to protect her from the consequences of their poverty and their challenges.
This might make you feel that the book is a depressing read, but light and humour is provided through the character of Abby. She has a 7-year-old’s ability to take the optimistic view and say things as she sees them. Her words and actions are often pivots for change and you observe how the family’s love for her promotes the unveiling of secrets and resultant positive actions.
The narrative arcs of Leah and Charlie entwine around the art gallery and build to a dramatic crescendo at a much-hyped open-evening and art sale. I found that the construction of the story into very short alternating paragraphs told by Leah and Charlie was utterly gripping. The writing handled tough topics including: power dynamics, loan sharking, young carers, grief and the reality of living in poverty, with great sensitivity and total assuredness. All the characters, even the “bad actors” were nuanced, giving some insight into their behaviours. Ultimately hopeful, through the realisation that friendship, community support and acknowledgement of feelings can lead to light in the darkness and eventual healing, this is an incredibly moving and powerful story.
At the end of the book, a range of useful support services are listed for anyone who might be facing some of the issues explored. Website addresses and phone numbers are provided for organisations which can help with: Carers, Grief, Mental Health, Relationships, Sexual Health, Money/Legal Issues and General Support.
I would highly recommend to senior school librarians for a readership aged 15+.
Disclaimer: I am extremely grateful to publicist Liz Scott and David Fickling Books for sending me a review copy of Let the Light In. It was my decision to write a review and all opinions expressed are my own.








