#GuestPost from Hannah Rix at Little Reads

Screenshot of Adventure Books from Little Reads App, image credit Hannah Rix

Today I am delighted to welcome Hannah Rix to my blog. We recently connected over a shared belief that children should be allowed to read for pleasure, and if that means that they choose a book deemed ‘too easy’ for them, this should not be discouraged. Please check out her blogpost below:

In defence of letting a child read books that are ‘too easy’

Written by Hannah Rix, co-founder of Little Reads.

Hannah Rix

Little Reads is a curated library of 3,000+ hand-picked children’s books, ages 5 to 11, on iOS and Android. It’s for children who already love reading (and the grown-ups keeping them supplied), not a learn-to-read tool. More library than classroom.

I’ve got to be honest about something I held back for years when I was teaching.

It’s how much I hated watching a child with a pile of books they actually want to read, and having to steer them off it. Onto the book that will ‘move them on’. Onto the book that has to be studied. Onto the next level up.

I should explain how I ended up caring so much about this.

I went into teaching because I loved books. I loved reading them, I loved talking about them, and most of all I loved talking to other people who loved them too. In my whimsical, Miss Honey-influenced daydream of a childhood, I genuinely thought that mayyybe, just maybe, I could pass that on. That I’d press the right book into an eager little reader’s hands and watch them fall for it the way I had.

Funnily enough, it didn’t quite go like that. (My story is probably the same as a lot of English teachers, past and present.)

Now, I could climb right up on my soapbox here about how the curriculum doesn’t make room for reading for pleasure, how it can stifle the very thing it’s meant to grow. But I’ll save that for another day. Because before any of that, I want to talk about something simpler. Letting kids read.

Not read because it’s on the timetable. Not read because they’re ‘ready’ for the next stage up. Just read. Let them read the book that’s too easy. Let them read the one they’ve already read three times. Let them read the one that’s mostly drawings and silly jokes. Because it’s still reading. It might not be the version of reading some grown-ups are comfortable with, but it counts.

Reading for pleasure and learning to read are two different things, and I wish more people said so out loud. One is a skill. The other is a love affair. Schools are so stretched, so utterly on their knees, that the two end up tangled together, and reading for pleasure is almost always the first thing to go.

So my case is a small one. Let them read the easy books. (Yes, pinched straight from ‘let them eat cake’, a sentiment I’m also fully behind. But I digress.)

Why? Because the easy book is the one that keeps them reading.

I’ve always believed that reading for pleasure grows out of one thing, and that’s the freedom to choose. The moment we tut at a child for picking something ‘too easy’, we’re telling them their kind of reading doesn’t count. And a child who feels that doesn’t happily trade up to harder books. They go off the idea completely.

I saw the flip side of this when I was teaching in a complex needs school. For once, I got to focus on what the children genuinely enjoyed, rather than what a curriculum said they ought to be reading. These were children with so much else going on that dragging them through reading levels and comprehension tests would have been, frankly, a waste of everyone’s time. So instead I’d reach for Andy Stanton. I’d put on the silly voices for David Walliams. I’d let a child read, and re-read, the same Horrid Henry month after month after month. Not because of their needs, but because that reading gave them real pleasure. And pleasure, it turns out, is the whole point.

The reassuring part (the bit I clung to)? The harder books don’t go anywhere. They wait. A child who’s allowed to read for the love of it, with nobody hovering over their choices, tends to reach for them on their own in the end. The trading-up happens best when nobody’s forcing it.

So if there’s a child in your life on their tenth go of the same battered paperback, or buried in a comic, or giggling at a book three years ‘below’ them, my advice is to leave them be. Keep topping them up with more of what they love. They’re not behind. They’re exactly where a happy reader should be.

That, more than anything, is pretty much why I co-founded Little Reads. A library of 3,000+ books I’ve hand-picked for ages 5 to 11, the easy ones and the chunky ones side by side, with no levels, no quizzes and nobody keeping score. A child can choose the comfort read or the doorstopper, and both are absolutely fine by me.

No ads either. Just the books. £7.99 a month after a 7-day free trial, and you can cancel anytime. Readers of this post can get 30 days free with the code VSVIEW30. The LittleReads app can be downloaded from either the Apple App Store or Google Play stores.

One honest note before you go. It’s built for children who already love reading. If a child is still finding their feet, a different app will serve them better.

#MG Review: The Neverfear by Katherine Rundell

Cover art by Daniel Egnéus, published by Bloomsbury Children”s Books, 27 July 2026, ISBN: 978-1408897515

The Neverfear is a spectacular marriage of heart-pounding, blood-shedding action with soul-touching truths, written with all the intelligence, insights and virtuosity that I have come to expect from Katherine Rundell. I was fortunate to listen to her reading the first chapter aloud to a rapt audience at a recent Waterstones Children’s Festival event, and feel privileged to have been able to read the rest of the novel via an e-ARC from NetGalley. This third book in the Impossible Creatures series carries readers deeper into the mythology of the Glimouria Archipelago, plunging us into a dark plot which gradually reveals its dastardly nature leading to a climactic battle, and leaving readers hyperventilating in desperation for book four.

The story opens with the birth of a unicorn and Christopher Forrester’s realisation that his previously observed connection with animals is now taking on an even more powerful metaphysical form, with the manifestation of a blinding green-yellow light arcing between him and any creature with which he connects. He has become able to communicate mind-to-mind with the impossible creatures living in the Archipelago. This ability becomes a key plot point as Christopher and Princess-warrior Anya Argen, accompanied by Ratwin the ratatoska and Jacques the dragon journey between the islands of the Archipelago aboard Fidens Nighthand’s boat, The Neverfear, to complete three impossible tasks to save the life of a beloved friend. They willingly face fearsome opponents, defy death at every turn and display unconditional love as they race against time, unknowingly manipulated by a deeply ruthless villain.

I do not want to give away any more plot details than strictly necessary because the story is so beautifully plotted and so exquisitely written that I do not want to spoil any reader’s enjoyment of discovering its joys for themselves. Katherine Rundell treats her readership with the utmost respect, presenting them with jokes (including the statutory Belgian one), a magnificently immersive plot and vocabulary and philosophy to challenge their imaginations. There is so much scholarship behind this novel that it virtually pulsates with thought-provoking themes, which I think will grip readers, aged 10 years and above, every bit as much as the thrilling plot and richly imagined fantasy world. I am not supposed to directly quote from an ARC, so cannot directly reference the sentences that halted my reading and brought a lump to my throat, but a line late on about angels laughing is one that is seared into my heart.

The Neverfear will be published in late July 2026, so if you have not already read Impossible Creatures or The Poisoned King (links to my reviews), then I advise you to do so before picking up a copy of The Neverfear.

Disclaimer: I requested and was granted access to an e-ARC of this book on NetGalley and I am grateful to Bloomsbury Children’s Books for granting my request. It was my choice to write a review and all opinions are my own.

#MG Review: Twinkl Originals – books that support the English primary school curriculum

I know that many schools have subscriptions to the online resource provider Twinkl, but did you know that they have also started publishing original stories linked to curriculum topics? I have been sent a few of these books to review, they are all printed in an accessible font, have quizzes or interactive sections at the end and links to further online resources.

The Chocolate Choice (ISBN: 978-1837575671, published in paperback 2026) Written by Jenny Clerc, illustrated by Shannon Girvan.

Ten-year-old Orla spots a writing competition organised by her favourite blogger, River Moore, with the prize being the chance to write a guest post on the ‘River’s Daily Rocket’ blog. All she has to do is think of an important story that needs to be told, investigate it, write it and email it into the blog and she’ll be on the road to her ambition to become a reporter. Inspired by a headline about cocoa beans on a discarded newspaper in her mum’s tearoom, Orla starts to investigate the difficulties faced by cocoa farmers and the way that the chocolate production industry works. She is shocked to realise that she has never before considered whether her favourite chocolate is produced ethically and writes to the owner of the local chocolate factory to find out more. Furthermore, she realises that changing people’s attitudes and behaviours is not a straightforward task, and nudging them to change will be assisted if she can find a way of helping her local community to understand their connections with the cocoa farmers.

I think that many children will enjoy this book and relate to the idea of undertaking research for a school project, and probably find some helpful guidance in the way that Orla goes about organising her project. I think that the format of the book, with extracts from Orla’s notebook, copies of emails, newspaper extracts, blog and website pages, will also appeal to young readers. For teachers, this book provides a useful overview of fair trade, sustainability and the effects of climate change on farming and food production and contains great examples of different writing styles that fit with the primary school curriculum. Further resources related to the book can be found on the Twinkl website.

How to Skin a Bear (ISBN; 978-1837575558, published in paperback 2025) Written by Victoria Williamson.

Bee is the youngest member of her Stone Age tribe and the daughter of one of the tribe elders. Her lowly place in the tribe consigns her to plucking the feathers from the ducks that the hunters bring back to their camp each day. Bee would rather be a hunter, she wishes that she had a fierce name like other members of the tribe, and she wishes that they did not spend all summer moving their camp from place to place while they collect food in preparation for winter.

When a red sun is seen by the tribe, this is interpreted as a bad omen. Despite the elders performing a ritual dance to keep the Sky Spirits happy, a huge storm blows up and flattens the communal tent where the tribe sleeps. Instead of following her tribe to a nearby cave, Bee chases after Dog who is her best friend. Finding herself alone apart from her loyal canine companion, Bee now has the opportunity to put into practice the skiils that she has observed the rest of her tribe demonstrating…but how will she cope when confronted by a wild bear?

How to Skin a Bear is an entertaining story, 100 pages in length, aimed at children aged 7+, of courage and rising to unexpected challenges. Within the story, young readers will earn a multitude of facts about the Stone Age era. There is a quiz at the end of the book and a QR code to further resources on the Twinkl website.

Wildcat Summer (ISBN: 978-1837575718, published in paperback 2026) Written by Victoria Williamson.

Wildcat Summer is an eco-fiction title aimed at children aged 9-11 and is filled with facts about rewilding, genetic diversity and protection of wildlife. Eleven-year-old Molly is unhappy about being sent to stay with her aunt for the summer holidays because her parents cannot afford to take time off from their jobs. She does not want to leave her friends and bustling city life in Newcastle, for the quiet of Aunt Isla’s caravan and camp site in the Highlands of Scotland. What’s more her stay does not get off to a great start when Aunt Isla forgets to face her when she’s talking, which is important to Molly because she needs to lip read as well as relying on her hearing aids, to allow her to participate in conversations. However, once Aunt Isla realises her mistake and begins to communicate carefully, Molly soon settles in to helping her aunt with chores around the holiday park. She makes friends with two local children, Skye and Lewis, as well as old Mr McFarlane who has moved into a caravan after retiring from his job at the Highland Wildlife Park.

Molly is intrigued when she hears a local legend about the ghost cat, which is rumoured to appear to warn of danger. Convinced that she has seen a huge cat in the tree-line at the edge of the holiday park, Molly is determined to find out more about the legend. She has an ally in Mr McFarlane, who claims to have seen the ghost cat many years earlier, which led him to a wildcat caught in a gin-trap. Has Molly actually witnessed the ghost cat? And if so, what danger is it foretelling? This is aa exciting and entertaining story for children at the top of primary school, which combines ecological and inclusivity themes. The portrayal of a main character with hearing loss and the behaviours required from those around her to ensure that she can participate in conversations is sensitively written by Victoria Williamson.

The Shadow in the Snow (ISBN: 978-837575596, published in paperback 2024) Written by Victoria Williamson.

The Shadow in the Snow is a novel for children aged 10 years and above which sensitively deals with themes of loss and grief. Jodie is a P6 ( top class in Scottish primary school) pupil and is struggling to cope with the loss of her teenage sister. In fact, she has refused to acknowledge the loss during the 9 months that have passed since Caitlin’s death, caused by a speeding car whilst Caitlin was horse-riding. This has impacted every facet of Jodie’s life. She no longer wants anything to remind her of horse-riding so has turned her back on her horse-mad best friend; she no longer plays her trumpet as she was at a lesson on the evening of the accident; and she cannot form a bond with her baby sister Emma. Her parents are continually walking on eggshells to avoid saying anything that might trigger her, and now Jodie is beginning to see a dark shape in her peripheral vision at the same time that she’s losing the memories of her big sister. When Aunt Susan comes to stay with the family, she encourages more open conversations to acknowledge the huge hole at the heart of the family.

This is a sensitively written book with a semi-mythical representation of grief at its heart. A brief introduction inside the front cover encourages adults to familiarise themselves with the text and the extra online resources ahead of sharing the book with middle-grade children who might have experienced the loss of a sibling. At the end of the book there are quiz activities and some facts about ‘black dog’ lore from English, Greek and Japanese mythology.

#MG Audiobook Review: Poppy Pym and the Pharaoh’s Curse by Laura Wood, read by Amy Enticknap

Audiobook read by Amy Enticknap, published by Bolinda Audio, 1 December 2016, ISBN: 978-1489383426

Poppy Pym and the Pharaoh’s Curse is the first book in the Poppy Pym series, in which we are introduced to Poppy, a child who has been brought up in Madam Pym’s circus after being abandoned there as a baby. When she reaches the age of eleven, her circus guardians decide that she ought to receive a more conventional education than they can provide and send her to St Smithen’s where she quickly makes two excellent friends. Ingrid is supremely intelligent and Kip is unfailingly determined, and the three of them form strong bonds of friendship. The boarding school set-up will appeal to children who enjoy a school-based story. There are a cast of slightly eccentric but believable teachers, an unusually incompetent headteacher’s assistant and a snooty, rich girl who looks down her nose at Poppy. Generally life at the school is fun, and the entire story includes a great deal of humour.

Poppy is a great fan of the Dougie Valentine detective mysteries and has ambitions to become a famous detective herself. She soon gets the opportunity to indulge in some sleuthing when the school hosts an exhibition of Egyptian Treasures prior to them being donated to the British Museum (this has been a bequest in the will of former St Smithen’s pupil Sir Percival van Bothing). On the opening night of the exhibition, Madam Pym’s circus is invited to provide the entertainment and magician Marvin the Magnificent finds himself arrested for the theft of the priceless Ruby Scarab Beetle. Poppy knows that her dear friend has been framed, and alongside Ingrid and Kip, sets out to discover the real thief. Could there really be an expert jewel thief hiding in plain sight in a respectable boarding school?

Although this book was first published ten years ago, I did not find it at all dated, but thoroughly enjoyed listening to the audio version which was expertly narrated by Amy Enticknap. Poppy is a brilliant main protagonist, endlessly curious, enthusiastic and energetic. I also loved the way that she talks directly to the reader throughout the story and I think that the structure of telephone conversations in the physical book will appeal to independent readers of 9+. The book would also make a good shared bedtime story for children of 7/8-years-of-age. It is a great introduction to the tropes and structure of detective fiction and contains some lovely Easter eggs, such as Miss Baxter, the kind and empathetic headteacher, referring to a ‘three humbug’ conversation. The author does an amazing job of providing a light-hearted, thoroughly entertaining mystery which also contains a lovely undercurrent of found family and the importance of friendship and kindness. I have been a lifelong fan of detective fiction, since discovering The Famous Five more than 50 years ago; I know that I would have loved Poppy Pym when I was a child, and I thoroughly recommend this story to parents, caregivers and librarians seeking to put an entertaining and enjoyable story into the hands of a middle grade reader.

As part of my Year Of Reading 2026 challenge to catch up on series that I have previously missed, I borrowed this book from my local public library via the Bolinda App. I will certainly be lining up the remainder of the series when they become available to borrow.

#MG Review: Shadow Thieves Island of Skulls by Peter Burns

Cover image by Manuel Sumberac, published by Farshore, 4 June 2026,
ISBN: 978-0008667849

Literary treasure for middle grade readers! The second book in the Shadow Thieves series, Island of Skulls, delivers explosively rich booty for young reader’s entertainment.

If you have not already read the first instalment of Shadow Thieves, my review here, will give you some idea of the set up. I tried very hard in that review to not reveal plot details and I will try to reveal as little as possible again. Honestly, these adventures are so richly plotted, and written with such verve, that you really just need to sit down for a few hours and immerse yourself in the brilliantly imagined world. If you are looking for a book to engage a reader aged 9-13 this summer, please place a copy of Shadow Thieves Island of Skulls into their hands.

Why do I think this? Well firstly, the adventure takes place on a small island in the Mediterranean and you can feel the heat, the sting of salty sea spray and smell the wild herbs crushed underfoot as the teenage protagonists search the island for lost treasure. The island once belonged to the Duke of Nimes, a former member of the Shadow League who went rogue in his quest for power. It is dotted with ruins, booby traps and other dangers and rumoured to still hide a vast treasure, although whether this is of financial or military value is one of the mysteries that Tom and his fellow pupils from Guile House at Beaufort’s School for Deceptive Arts need to solve. Adding to their peril, the followers of the deceased Duke, The Chevaliers, are also on the treasure trail, and are ruthless in their pursuit. Whether your child is lucky enough to be holidaying in the Med, or having a staycation, this thrilling mission with its adrenaline-spiked dangers in almost every chapter serves up a bounty of imaginative action.

The trainee thieves have been brought to the island by their house master, known as The Corsair. However, he appears to be on a quest of his own, leaving his pupils to rely on the skills they have developed at Beaufort’s, complemented with Tom’s survival skills which he developed on the streets of an alternative, historical London, where his only protector was Morris, a former member of the Shadow League. As this story unfolds, we learn more Shadow League lore and some of Morris and The Corsair’s joint history.

The teen and tween characters are superbly drawn, each possessing distinct personalities, and interacting in ways that the intended readership will immediately recognise. We are given the greatest insight into Tom’s character and feel his frustrations, insecurities and desire to do the right thing throughout the story. However, it must be said that the other characters, especially his tight-knit group of friends; Jericho, Enzo, Maxine, Mitch and Connie all leap fully-formed from the page. This brings me on to the quality of Peter Burns’ writing; it is masterful! Not only is there a perfect blend of character and plot, but the rhythm and tempo of the writing just propelled me through the story. I know it’s a cliché, but this is a book that it is very hard to put down and now I am desperate for book 3!

For my school librarian friends, I’d advise you to stock up with multiple copies if possible, this is going to be hugely popular with pupils at the upper end of primary and also with children at the lower end of secondary schools. If you are a parent or care-giver, this is great entertainment for your middle-grade reader, and if you share the reading perhaps as a bedtime story, you’ll likely enjoy it too!

Disclaimer: I am very grateful to publicist Chris at Farshore Books for sending me a copy of Shadow Thieves Island of Skulls ahead of publication. It was my decision to write a review and all opinions are my own.

#BlogTour: SuperQuesters Mission: Desert Danger by Paul Ian Cross, illustrated by Katarina Gasko

Cover image Katarina Gasko, published by QuestFriendz, 7 May 2026,
ISBN: 9789083294346

Mission: Desert Danger is the third book in the SuperQuesters series, and maintains the high quality of the previous titles, serving a perfect blend of excitement and STEM content to a primary school readership.

Best friends Leo, Lilli and Bea are enjoying a trip to the beach, where sandcastle-building turns into a mini engineering opportunity for Lilli! After finding a message in a bottle, which combines hieroglyphics with a plea for help, the trio are rapidly whisked away to Questland and transform into their alter-egos; Leo Zoom, Lillicorn and Bea Bumble. They find themselves on the bank of a dried up river where they meet Arid, a desert sprite, whose brother Rainveil the water sprite has gone missing. The mystery of Rainveil’s disappearance is explained by Skitter, a scarab beetle, who witnessed the kidnap by a treasure-seeking archaeologist, Professor Vivienne Vortec. It appears that she is ruthless in her pursuit of a cursed treasure which has been hidden away in a sunken temple, and is happy to destroy the local ecological system in her greedy quest. The SuperQuesters have a clear mission ahead, but can they use their STEM skills to save the ecosystem in this corner of Questland?

I think that children will love the interactive nature of this story, where they can join the SuperQuesters in trying to decode messages, debug algorithms to find the most efficient route whilst learning about ecosystems, gears and chemistry. There are four brilliantly engaging STEM activities at the end of the book, which only require resources that can be found at home or in a classroom. The highly engaging illustrated style of this book, and the smart, likeable main characters who transform into the kind of protagonists that might be found in a video game, all add to the appeal for a primary school readership. As someone who studied for a science degree many, many years ago, I love the fact that Dr Paul Ian Cross has produced this brilliant series to encourage the next generation of scientists. I cannot wait to see which corner of QuestLand the SuperQuesters will visit in their next adventure.

Disclaimer: I was sent a copy of this book and invited to join the blog tour by publisher QuestFriendz. All opinions are my own.

Do check out the thoughts of other librarians and teachers who have written reviews for the blog tour.

#MG Review: Sammy Versus the Smartphone by Victoria Williamson

Cover design by Elise Carmichael, published by Tiny Tree, 26 March 2026,
ISBN: 978-0722360026

Sammy Versus the Smartphone could not be a more timely publication as the debate around children’s access to smartphones takes centre stage in national and international conversations. This new fictional title from award-winning author, Victoria Williamson, paints a vivid picture of the way that smartphone use can insinuate its way into every aspect of family life, with negative consequences.

Sammy is in her final year at primary school, and like many other children, has been promised a smartphone for her 11th birthday in preparation for the move to secondary school. Her parents have also been persuaded to buy the holographic interface upgrade (Hollis), so that Sammy’s phone features a ‘cooler’, airbrushed, glamorous image of Sammy, who until this point has been a star footballer, happy to live in sports clothing with her hair pulled back into a ponytail. Now, she wants to fit in with the on-trend girls at school, and learn to post the selfies that they all believe will make them popular when they move onto secondary school. When a mean comment from JayBoy5 about her thighs appears under one of her photos, this is the message she obsesses over, rather than the many positive reactions that her photos receive. We see the change in Sammy’s life as she decides to start cutting back on food, thus losing the energy, focus and passion that she previously had for football and subsequently losing good friendships along the way. When her two step-siblings move in with Sammy’s family we witness the breakdown of personal communication as another upgrade is purchased to supposedly make family communications more streamlined by taking everything online and basically handing control to a virtual assistant.

I really liked the way that the author showed that despite starting out on a smartphone journey with the best intentions, it can be very easy to become totally distracted by the constant alerts pinging on our smart devices. She cleverly incorporates entries into Sammy’s secret (paper-based) diary to show that Sammy herself is aware of the negative impact of the new phone on her life, even as she is swept up in its messaging and craving the instant gratification from likes and comments. Issues such as online bullying, peer pressure and the danger of online predators are dealt with in an age-appropriate manner, as is the way that the tech companies subtly encourage constant upgrades which many families feel pressured to buy even when they struggle to afford them. As with every book that I’ve read by Victoria Williamson, the characterisation and portrayal of both home and school life is spot-on; I think that many young readers will find situations that they recognise in this story. I hope that reading and discussing the story might encourage constructive discussion of how to use smartphones for their many positive purposes, and how to regulate some of the more addictive behaviour that they can encourage. In my opinion, this is a book that needs to be in every school and I would also recommend it to parents of children at the top end of primary school to perhaps share as a joint read.

Disclaimer: I am grateful to Victoria Williamson and publisher Tiny Tree who sent me a copy of Sammy Versus the Smartphone. It was my decision to write a review and all opinions are my own.

#MG Review: Birdlands by Anthony McGowan, illustrated by Keith Robinson

Cover image by Keith Robinson, published by Rock the Boat, 14 May 2026, ISBN: 978-1836431800

Three birds, an adventure fraught with danger, one very special book!

I finished reading Birdlands, the new novel from Carnegie-winning author Anthony McGowan, a week ago. Despite trying to pull my thoughts into order since then, I really do not think that my words can do it justice. Below the surface of this pacy animal adventure, there is a story so profound that it brings a lump to my throat each time I think about it. I am many years older than the intended middle grade readership and I suspect that this is a book which will be enjoyed by many young readers who will initially delight in the thrilling and perilous journey, and perhaps as they grow older, revisit the book and appreciate the deeper themes. It is one of those books that lodges so deeply in your heart that you want to encourage everyone to read it and to see it passed down through generations.

The story begins with a young boy, Jordie, throwing his cheese sandwich towards three scrawny birds on a station platform and from that moment we fully enter the lives of the bird protagonists. Herman was once a leader of crows, and maintains an air of authority despite his broken wing. Beaky is a jackdaw who finds it difficult to feed due to his twisted beak, leaving him half-starved and with no muscle strength for flying. Pidge is afraid to fly after experiencing a traumatic event in the air, and now hobbles around on badly damaged and painful feet. When their prize of bread and cheese is cruelly snatched away by more agile birds, Herman tells Beaky and Pidge of the paradise known as ‘dump’ where food is plentiful and birds are watched over by angels. Despite scepticism from Beaky and Pidge, the three birds set off walking towards the setting sun in search of this haven and their journey is recounted with wry humour, beautiful descriptions of the landscape and pinpoint detail of the fine balance between predator and prey.

I cannot do justice in this review to the exquisitely written quest that unfolds. Not only is the story infused with a real love of the natural world and acute observation of bird behaviour, but the developing bond of comradeship between the three birds is a joy to read. It is a story that reminds us that all life, no matter how small, or how damaged, is precious, and that courage and togetherness are essential to overcoming difficulties. There are also occasional greyscale illustrations by Keith Robinson and every chapter is headed by his artwork. This is a short book, just under 200 pages in length, and not a single word is wasted. I loved the circularity of the story and the way that the emotional impact never became sentimental. As I said at the start, I think this is a very special book indeed. I think that it would be a wonderful book to read aloud to Year 6/Year 7 children, and I would strongly encourage all school librarians to add it to their collections.

Disclaimer: I was sent a copy of Birdlands by publicist Dannie Price and Rock The Boat ahead of publication on 14 May 2026. It was my decision to write a review and all opinions are my own.

#MG Review: The Ocean and the Bones by Genevieve Carver

cover art by Richard Johnson, published by Rock the Boat, 4 June 2026, ISBN: 978-1836433095

The Ocean and the Bones is the debut middle grade adventure from Genevieve Carver, whose background in archaeology inspires and shapes this impressive, lyrical, and thought-provoking novel. Set during the Neolithic era (approximately 6000 years ago) this story is told in the first person voice of Meg, an orphan, haunted by her fear of water ever since both her parents drowned. Meg has been chosen as the Sunhealer’s Shadow, and is being trained to learn the ways of the Spirits on which her tribe depend for the success of their crops and their livestock. However, their settlement of Chalk Howe has been beset by storms and rain, and the inhabitants are filled with suspicion that something or someone has upset the Water Spirits.

Into this cauldron of discontent arrives Kalø, a girl of roughly the same age as Meg, who speaks a different language, and who has washed up on the beach during a storm which has wrecked the Midsummer Eve celebrations. Meg is assigned the tasks of looking after Kalø and additionally finding out where she has come from, and the reason for her appearance at Chalk Howe. Their friendship develops as they learn to communicate with each other. However, rivalries, jealousies and suspicion of difference lead to Kalø being scapegoated for the climatic events affecting the settlement and Meg needs to vercome her deepest fear to accompany her friend in a quest to seek her island home.

This is a beautifully crafted adventure, with plenty of high-stakes drama, threaded through with lyrical reflective passages, particularly as we enter Kalø’s memories of her family. I found that the descriptions of the food and drink, the knapping of flint tools and the boat-building process all firmly rooted the story in its time period. Like all the best stories written for children, the author brings her scholarship to life through an engaging story, so that readers (young, and significantly older in my case) learn by literary osmosis. Although set in a period of pre-history, I think that the story will make many middle grade readers reflect on the climate changes which are causing migration in our present time. Furthermore, the blaming of a stranger for the misfortunes of a local population also bears some parallels to scenes that we witness in society.

I highly recommend The Ocean and the Bones to librarians, teachers and parents who want to put an intriguing story into the hands of readers aged 9 years and above. It was my decision to write a review and all opinions are my own.

Disclaimer: I am grateful to publicist Dannie Price and publisher Rock the Boat for sending me a proof copy of The Ocean and the Bones ahead of publication on 4 June 2026.

#MG Sci-Fi Review: We Are Dragon by Alastair Chisholm

Cover image by Karítas Gunnarsdóttìr, published by Nosy Crow,
9 April 2026, ISBN: 978-1805131274

We Are Dragon is the final title in the I Am Wolf trilogy, and brings the series to a thrilling and satisfying conclusion. This is a truly remarkable work of science fiction which I think will appeal to sci-fi fans of any age, although it is primarily aimed for a middle grade readership. It probably could be read and enjoyed as a standalone novel, but I think that readers will get far more out of it if they have read I Am Wolf and I Am Raven beforehand.

In the land where Constructs (mechanical creatures fabricated from a massive variety of materials and powered by the thought energy of the humans who inhabit them) have battled each other for territory throughout the lifetimes of the young main protagonists, new battle lines have been drawn. Now the remaining free constructs need to work together to fight the massed ranks of Dragons which have been created by Queenie, an AI program. With the odds very definitely not in their favour, it will take original thinking and technological brilliance to outwit Queenie’s army. Fortunately, among the four inhabitants of Cub, Rieka is uniquely equipped for this challenge. She has always considered herself to be a uniquely gifted Tock, has always felt more at home communicating with machines rather than humans, and is fiercely ambitious to receive the approval of Ander, the leader of Lion clan. When she devises a plan and manufactures the technology to control and use the Wild Ants to fight against the mighty Dragon contructs, she is convinced that she alone can bring down Queenie’s military superiority.

At first the crew members of Cub, Coll, Brann, Fillan and Kevin (a small Ant construct who is devoted to Fillan) are happy to support and follow their fellow crew member. However, as her victories mount up and Rieka’s power grows, she begins to feel increasingly isolated and unable to communicate with those who love her, and fear for her.

In my opinion, this is a brilliantly written story, which ratchets up the tension to a supremely impressive final conclusion. It can be read as an all-action, thrilling, battle for supremacy between two intelligent foes who will stop at nothing to defeat their enemy. For any reader who wishes to reflect more deeply, it is a wonderful exploration of what it means to be human, to have free will, and to overcome the barriers which divide us. For any teachers or librarians who run book clubs for readers aged 9+, this would be an excellent book to include in your book club choices and the author has provided some great questions for discussion at the end of the novel.

Disclaimer: I am grateful to Sian at Nosy Crow for sending me a copy of We Are Dragon ahead of publication on 9th April 2026. It was my decision to write a review and all opinions are my own.